This Week in World War One, 9 February 1917

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BERWICK ADVERTISER, 8 FEBRUARY 1917

 

BERWICK SOLDIER WHO HAS EARNED DISTINCTION

 

 

We have favoured with the above recent photo of Rough Riding Sergeant Mathew McConville Burke, Royal Field Artillery, who has been awarded, as already briefly reported, the Russian Order of the 4th Class of St. George. We understand he has also been awarded a Serbian Order for meritorious service in the field. When he was Corporal prior to the outbreak of war, he was a prominent Fencing Instructor to the troops. He was seen considerable service on several fronts, and is a well-known and popular figure in the borough. Sergeant Burke, who in his early soldering days was for a long period trumpeter on the Artillery Permanent Staff at Berwick, is the son of Mrs Rose Ann Burke, West End, Tweedmouth. He married an estimable young lady, who will be well-known to Berwick readers, a grand-daughter of the late Mr Patrick Davis, West Street, Berwick.

 

LOCAL NEWS

 

The Playhouse – This week the film will be “A Butterfly on the Wheel”, from the play by E. C. Hemmerde and Francis Neilson, in five reels. When produced at the Globe theatre in 1911 it achieved an instantaneous success, being revived later at the Queen’s theatre, where it enjoyed an equal measure of popularity. There is an excellent and captivating variety entertainment. On Monday, Tuesday, and Wednesday, the film will be entitled “Jimmy,” by John Strange Winter. It reflects British life with a fidelity unknown, breathes the home spirit, and the story is told amid correct surroundings.

Lobby card for the American film “A Butterfly on the Wheel” (1915). © Schubert Films (Pre-1923) – Wikimedia Commons.

 

On Thursday, Friday, and Saturday of next week the picture will be “Hesperia, the Lady of the Camellias”, a masterly version of one of Dumas novels. It is the most famous love story written in modern times. The attention of the public is specially directed to another film also to be shown on the same evenings – “How to Help Tommy.” It has been specially authorised by the War Office showing the work of the Voluntary Organisation Department. The film shows how every class and age is helping to provide comforts for the men who are fighting. The Boy Scouts will make a collection at the door of each house in aid of the local work. Genie Glenn, a dainty comedienne and refined soprano vocalist, will provide an excellent variety programme.

Free meals for Soldiers and Sailors. – The Committee in charge of the fund for providing free meals for soldiers and sailors who are compelled to remain overnight at Berwick owing to lack of train connections, deserve the highest praise for the work which has already been accomplished. The fund, which was inaugurated by Lady Clementine Waring of Lennel, and Mrs Fraser Bate, Bassendean, has up to the end of January, 1917, provided no less than 3,135 free meals.

Berwick Railway Station early 1900s. © Berwick Record Office – BRO 1636-10-013

 

Nightly a patrol meet the last train from the south, and after the wants of the man or men coming by such train have been cared for, a bed is found for the night, and next morning before leaving, breakfast is provided. In this good work the railway officials give great assistance in seeing that any man “stranded” for the night is looked after. Naturally, such an organisation as this costs a considerable amount of money to keep in working order, and when it is remembered that the men who benefit and appreciate its efforts are soldiers and sailors mostly from Northumberland and Berwickshire, it has a greater claim to the support of the public. We trust that the work of the Committee will continue in the future to bring cheer and comfort to our serving men as it has done in the past.

 

LOCAL SOLDIER’S LITERARY EFFORT

 

The other day, somewhere in France, a grand competition was inaugurated by the Y.M.C.A. workers at a large centre. Prizes were offered for the best love letter, for the best poem modelled on “John Gilpin”, written about the Y.M.C.A., and for the best ten minutes speech. Great interest was taken in the competitions, and there were many entries, and great excitement reigned in the huts as the day for the declaration of results drew near. The first prize in each class was won by a Berwick man, Leslie P. Gleig, Royal Engineers, for the best following poems, and for a brilliant ten minutes speech on “The Mule.”

Sapper Leslie F Gleig, the subject of our sketch came to Berwick from Newcastle some six years ago, and was employed as a plumber and gas fitter with N.E. Railway, he having served the company from his days of apprenticeship. He is a fluent speaker, and in the Socialist cause did yeoman service on platform and in the work of organisation. His work as secretary to the local branch of the I. L.P. has been greatly appreciated, while in the Berwick Debating Society he earned for himself an honoured place. For many years he was a member of the Newcastle Chess Club, and was an enthusiastic follower of the game. From the outbreak of war he was anxious to enlist, but it was only in December 1915 that the Company agreed to liberate him, he then enlisting in the Royal Engineers. His training was done in Yorkshire, and while there he won the certificate and bronze medal of the Royal Life Saving Society for the rescue from drowning test, only one other man in the Battalion winning this.

The following is the “love letter” which earned the prizes for Sapper Gleig:-

Dear lady, in that land across the sea,

Which I for duty’s sake have left awhile,

This loving letter that I send to thee,

Perchancer may draw a tear or win a smile.

Which of these tributes, sweet, would be my choice

I know not, for thy tender smile of yore

When I did greet thee, made my heart rejoice

And lose itself in loving more and more.

But if a tear should dim those eyes so kind,

At thought of me far travelled from thy side,

And if some sadness shall o’ercast the mind,

Because our destinies are thus divide,

That tear to me a greater price would bear

Than wealth of sparking jewels, rich and rare.

For I do treasure every fleeting thought

My gracious lady does on me bestow,

None other can supplant her, there is nought

Of inspiration that I do not owe

To that sweet mistress of my soul, for i

Unworthy though I am to be her slave,

Do yet among all men my head bear high;

For that she deigned accept the love I gave,

Dear sweetheart mine, my love can ne’er be tod,

It is a well of happiness and trust.

A treasure house of joy as pure as gold,

Hat in the fire of life will never rust;

Much honoured I, that I thy name may sign

Thy favoured lover true, as thou art mine.

 

Putting the project to bed – what the Stannington Sanatorium project has achieved

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Over the course of the two phases of our Wellcome Trust funded project we have catalogued, conserved and digitised over 5000 patient medical files, as well as other records and photographs. In this time we hope we have taken an inaccessible, uncatalogued collection and made it accessible to study. In our final blog we will take a look back at what we have done in that time.

Some of the boxes of files waiting to be conserved early last year

Phase one conserved and digitised 949 discharge books, catalogued these, the patient files and the rest of the collection, and digitised a whopping 14671 radiographs (taken of only 2245 of the patients!). The team also created our online exhibition, our exhibition banners, and attended conferences to publicise the collection. You can read more about the first phase in the team’s final blog here.

The radiographs being digitised

After the Wellcome trust kindly granted more funding for a second phase new team focused on the 4095 patient files, which had been catalogued.

A patient file conserved in its new acid-free cover
A patient file ready to be digitised

We conserved and digitised these, and redacted images were attached to our searchable online database. As they are closed records the names and addresses cannot be released, but this enables those researching the disease to access medical information about the cases for the ‘core’ documents. Here is how these look.

Print screens of the search and reference detail

As we could not digitise the entire files in each case the team decided to upload some examples on Flickr. Though there is no such thing as a ‘typical’ or ‘average’ Stannington file, we tried to choose a few redacted examples of the patient files that gave an impression of the collection as a whole, and the type of documents found within them. You can view these here.

The work began in phase one to raise awareness of the collection has continued. We have continued to blog about our progress and discoveries we have made about the collection, the sanatorium itself, and new collections that relate to it, such as May Brown’s the Atkin family’s photographs. There has been academic interest in research projects using the collection from a number of universities, which we hope to will continue to grow.

Our former colleague Rebecca Cessford is using the collection of radiographs and patient files in her PhD thesis to look at the potential as an aid to diagnose the disease in skeletal remains. You can find out more about her research in the blog she contributed to us on World Tuberculosis Day.

Margaret Wilkinson (right) with Dame Sian Philips at the recording of the play.

We also worked with playwright Margaret Wilkinson, who used the collection and our research to write a radio play for BBC Four’s Writing the Century. The play was based on the experiences of former Stannington Sanatorium nurse Marjorie Wilson. Margaret established the scene with Marjorie’s reminiscences, and used excerpts from letters within the patient files. The play was a great success, and listeners found the performance very moving. You can read more about Margaret’s inspiration in writing the play in the blog she wrote for us, and you can listen to the play through Audioboom.

We hope to continue further interest in the collection by launching an education resource, now available through our website. In this we have laid out a little summary of the disease, history, treatment and the records at Stannington, and what life was like for staff and patients. This can be used as a resource for teachers to dip into in developing lessons, but also for older students to use for themselves.

The exhibition on display at St. Mary’s Church, Stannington.

Recently the team have also set up our collection of banners at St Mary’s church in Stannington, with the Stannington History Group. It was a wonderful finish to the project to see them displayed so close to the sanatorium itself, with locals and visitors finding out more about the story of Stannington Sanatorium. We hope to tour the exhibition more throughout this year.

The project has revealed the rich value of the collection in terms of its research potential, as it contains files with detailed medical information and an excellent radiographic record. However it is also rich in the stories of the staff and patients who were associated with the sanatorium, many of whom have recounted their experiences to us during its course. We feel proud to continue to care for the documents, and feel it is important to continue to raise awareness. Far from this being the end of our research with the collection, this is a beginning of a new and more accessible way of learning from them.

The collection itself is housed at Northumberland Archives, and though a hundred year closure period is still in place (from the date of the document’s creation), former patients and some immediate family can still seek permission to access the patient files. If you are interested in accessing the collection for research purposes (we have statistics on the records as well as the files themselves), are interested in loaning our banners exhibition, or have any other queries about the collection please don’t hesitate to contact us at archives@northumberland.gov.uk

NRO 11036/3, one of May Brown’s photographs

If you are interested to know more please have a look at:

Our online exhibition

Our Flickr sets

The Murder of Joe the Quilter

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On 3 January 1826 a 76 year old man named Joseph Hedley was brutally murdered in his cottage in the parish of Warden. Joseph’s throat and face were slashed and multiple stab wounds were inflicted upon his body. He was commonly known as Joe the Quilter due to his skill with needlework. He was a quilter by trade and travelled around the country seeking employment. Joe’s skills in quilting were celebrated, and his handiwork was known in various parts of England, Ireland, Scotland and America.

On the evening of the murder, Joe obtained a pitcher of milk, a pound of sugar, a sheep’s head and pluck (offal) from farmer’s wife Mrs Colbeck of Warwick Grange. At approximately 6pm William Herdman, a labourer living in Wall called in on Joe on his way home from work at the local paper mill and sat with him for a short time. Joe had a good fire going and was busy preparing some potatoes for his supper.  Around 7pm Mrs Biggs, a female pedlar from Stamfordham knocked at the cottage to ask directions to Fourstones having missed the turning due to the excessive darkness of the night. Joe came to the door and gave her the necessary directions. Apart from the murderer(s), Mrs Biggs is said to be the last person to have seen him alive.

 

Plan of Joe’s cottage where the murder took place

 

At approximately 8pm a Mr Smith of Haughton Castle rode past the cottage on his way home from Warden and all at the cottage was silent and dark. It is suspected that the deed took place between 7-8pm. Concern for Joe’s safety grew after his neighbours didn’t see the elderly man for a few days. It was reported that there appeared to be marks of blood in the snow outside the cottage and marks to indicate that a struggle had taken place. His neighbours found the cottage door locked and after knocking several times with no reply proceeded to break into the property. They were faced with a chilling sight as parts of the walls of the cottage were stained with blood and a quilt spread on a frame bore a distinct mark of a bloody handprint. The pitcher of milk, sheep’s head and pound of sugar which he had recently purchased were found lying on a table. A search of the house was conducted and nothing was found. An old outhouse which stored wood and coals was then searched and Joe’s body was discovered. Both cheeks were cut widely open with deep wounds. A garden hoe was found laid across his chest. A coal rake was also found with its shank bent. As two weapons were discovered it then raised a suspicion that there were 2 murderers. Joe was found with knife wounds on his hands so had obviously fought with the attacker(s).

The small cottage had been ransacked and bore evidence of a struggle. All of his boxes and drawers had been disturbed and it was believed that two silver tablespoons, four teaspoons and two old fashioned salt cellars of silver net-work had been stolen.The bed tester had been violently torn down and the face of the clock broken. Prints of 3 bloody fingers were distinctly visible on the chimney jamb . The plates on the dresser were also streaked with blood. Outside in the lane some clogs were found and a small piece of coat was discovered on a hedge.It was supposed that Joe had fought hard with the murderer(s) and had managed to escape about 100 yards from the cottage before he was caught. Judging by the marks in the snow it appeared that a struggle had taken place and then Joe had been overcome and dragged back and murdered. After this had taken place the cottage door had been locked on the outside and the key taken away.

 

Reward Poster

 

A one hundred guineas reward was offered to catch the perpetrator(s) of the atrocious murder . The reward was offered from the Overseers of the Poor of the parish of Warden on 17 January 1826. Home secretary Robert Peel offered his majesty’s full pardon to any accomplices who came forward with information (as long as they were not the actual murderer). A jury returned a verdict of wilful murder against some person or persons unknown.  Although several people were arrested and questioned nobody was ever charged and sadly the murder of Joe the Quilter was never solved. Joe was buried in Warden churchyard on 10 January 1826. On his burial entry the word murdered can clearly be read underneath his name.

 

 

On Wednesday 29 March 1826, an auction was held to sell the household furniture belonging to the ‘late unfortunate Joseph Hedley, commonly called Joe The Quilter’.

 

Auction Poster

 

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