Who was Samuel Phipps? Delving into our uncatalogued ‘Phipps of Barmoor’ collection, to try and find out. Part 2

Recently, I worked on a project to catalogue an estate collection for the Phipp’s family (NRO 2372). The collection mostly relates to Samuel Phipps, largely compiling of accounts detailing his expenditure in life, and further accounts and inventories of his properties following his death in 1791. The majority of these records relate to his lands in Northumberland, with Phipps owning the Barmoor estate during his lifetime, but there are records for his lands in Yorkshire, Derbyshire and London. In my previous blog, I included the following image of correspondence, noting that these sorts of records can tell us a lot about the families concerned.

The Contents of NRO 2372, Phipps Box 4

A closer look will tell you that there are detailed accounts of Phipps’ expenditures, both within his estate and annuity payments to relatives. Many of these relatives are members of the Sitwell family, alluding to the family connection – Phipp’s second cousin, Francis Sitwell, was his heir. The outputs are extensive, implying Samuel Phipps was quite a wealthy man. We do have some evidence of attempts to reduce expenditure though. Many of the documents in this collection which were written during Samuel Phipp’s lifetime, relate to his attempts to sell or lease his land in Northumberland. He even employs two well-known agricultural surveyors of the day, George Culley and John Bailey to survey his land. Culley and Bailey were known for their 1794 publication ‘A General View of The Agriculture of The County of Northumberland with Observations on the Means of Its Improvement.’ This level of investigation is useful for us as it means that we have maps and plans of the Barmoor estate within this collection. This allows us to see exactly what was included in Phipps’ estates, and better understand the boundaries.

In one set of correspondence, Bailey writes to Phipps with regards to his attempt to lease ‘Barmoor Hall Farm’. He states that in attempting to locate someone to rent the farm as one property, he is receiving offers which are far below the value of the lands. The asking price was £600 per annum for 21 years, and their last offer, for example was for £500 for the first 10 years, and £600 for the final 11 years of the lease. Bailey has then attempted to advertise the land in three farms, instead of one, but this somewhat backfired, in that the original interested party rescinded his offer for the whole, and requested only one of the parts, again for less than asked. If you look at the plan below, which was enclosed with Bailey’s letter, the sections that he refers to seem to be the West Moor, East Moor and Kenning(?) Moss. Bailey even pencilled in the interested parties.

Plan of Barmoor Hall Farm, enclosed with Bailey’s letter.

When asking other potential farmers why they would not bid for the property, Bailey states that they all replied similarly: “There was so much bad land, and the harvest so late, that they could not think about it”. Bailey argues that there is 300 acres of good land, and 1300 acres of bad, but that the price is set accordingly. Bailey then goes on to detail the lease agreements for the other sections of the farm. Unfortunately, the issue of whether the advertised lands were leased is not resolved in this letter, though this short 4 pages of correspondence, is certainly packed full of useful information. From this, we can see exactly what lands were included in the farm, who the neighbouring landowners were, the value of the leases, and we’ve learnt that there was a consensus at the time (though contested!)  that much of the Barmoor land was struggling to yield crops.

In one letter sent from John Bratins at Darnall Colliery (Yorkshire), we find Bratins strongly suggesting that the ‘machines’ should be ‘shut off’ to save on costings. The ‘machines’ referred to here were used to remove accumulated water from the coal fields, allowing access to the lower levels of coal. Bratins states that without access to this level, they will still be able to collect enough coal to cover both their own ‘in-house’ needs and their supply demands, so use of the machines is a costly and unnecessary expense. He renders competition from the Duke’s neighbouring colliery as the reason for their lack of demand, and mentions that the Duke is aware of the suggestion to turn off the machines, and has not objected, despite this meaning that the water will likely travel to his fields. The move to turn off these machines does suggest an attempt to reduce expenditure.

Letter to Samuel Phipps from John Bratins, Darnall Colliery.

We also have some fascinating indications of Samuel Phipps daily life in this collection, in the inventories from his properties. Many of the inventories were taken following Phipps’ death and would have been used to identify the inheritance owed to his heirs. Inventories were written for each of his properties, and in this collection include contents of rooms, which can give us a good idea of the type of property Phipps was living in, and the furniture which adorned his living quarters. From a general interest viewpoint, this can tell us a lot about life in the late eighteenth century – what furniture was fashionable, for example. My personal favourite inventories though are the lists of books held by Phipps at his various properties. Each of the books are named, and a value assigned to them. They include novels, non-fiction books and publications, and provide a real insight into the sorts of books which could be found in a personal collection at the time. Of course, these books may have merely been purchased as an investment, though the number of publications does, at least to me, suggest a man who had an interest in reading. In the image below, you can see a list of books which were offered to a J. Briggs, during Phipps’ lifetime. There is a nice letter at the end of the book, which confirms that this promise was made, and that his executors ensured Briggs received the books.

A catalogue of Samuel Phipp’s books given to J. Biggs, during his lifetime.

These are just some observations from the Phipps collection and hopefully provide a hint of the sorts of information to be found in the collection. Keep an eye on this blog for future findings, I’m sure that there will be some interesting finds ahead!

Beth Elliott, Project Archivist.

Beer Token

We are currently cataloguing bundles of documents from the Blackett’s of Wylam collection, relating to Poor Law and poor relief in the 1830’s.

In this collection, we came across the following note, where Jacob Rowell is instructed to allow George Hunter to have a pint of cask porter and the sender, James Gray, will pay the bill.

ZBK/D/11/53

Further research in the collection shows that James Gray managed Wylam Colliery on behalf of the owner Christopher Blackett. We can also see that on the 1841 Census, Jacob Rowell was the innkeeper at The Black Bull Inn at Wylam and lived there with his wife and family. It is therefore quite possible that he was already at the Black Bull in 1833.

So, who was George Hunter and why was he getting free beer? Was this relief for a pauper? It seems unlikely. On the rear of the note is a calculation. This may be the handwriting of Jacob Rowell, and it shows that Hunter had twenty pints of porter between the 8th and 27th of May 1833, so this appears to have been an ongoing arrangement.

ZBK/D/11/53

Another search of the 1841 Census shows that a George Hunter who was a mason, lived just up the road at Houghton Hill Head near Heddon on the Wall. Maybe it was this George Hunter, and he was doing building work at the colliery and because it was thirsty work, perhaps James Gray issued this note for Hunter to obtain daily refreshments.

We may never know for sure, but any other theories (wild or otherwise) are most welcome.

Lady Ursula Ridley

This blog has been researched and written by Shelley Lanser, one of the volunteers on our maternity care project. Project volunteers are researching maternity care in Northumberland with particular focus on Castle Hills Maternity Home, Berwick, and Mona Taylor Maternity Home, Stannington. In 1943, Lady Ridley gave an address at the opening of Mona Taylor Maternity Home. She was also heavily involved in the Newcastle Babies Hospital for many years and organised the evacuation of the Hospital to her home, Blagdon Hall, during World War Two. This is the second of several blog posts about Ursula Viscountess Ridley, who married the 3rd Viscount Ridley. The first post can be found hereLady Ursula Lutyens Ridley (1904-1967) – Northumberland Archives

NRO 8415/31

Ursula Lutyens, daughter of noted architect Edwin “Ned” Lutyens and Lady Emily Lytton Lutyens,  was born 31 Oct 1904 in the parish of St. Giles in London1 and baptised at St. Giles in the Fields church on 12 December of that year.2  She was a sickly baby born with webbed feet. “Ursy’s” illness and Ned’s lack of support for Emily – he was, as usual, disappearing into his work – was the first crisis in her parents’ marriage.3 It has been mooted that fears for Ursula’s initial poor health sparked Ned’s protective feelings and this was a factor in making her his favourite child. This is a preference he never attempted to hide.4

Ursula was named after St. Ursula, seen in paintings by Carpaccio, which were held in Venice. Having searched for evidence that their parents had been to Venice prior to Ursula’s birth, her sister Mary concluded this influence was by reproductions of the Carpaccio series. In addition to his daughter’s name, they inspired Ned to design a couple of beds made of mahogany with wicker work head and foot. Barbie and Ursy slept in what they always called the St. Ursula beds.5

The first home of the Lutyens family was a Georgian house at 29 Bloomsbury Square, in London. This house was once the office of renowned architect, Norman Shaw. Ned described it as “a country house, but with good architecture.” It was really beyond his means, but he splashed out on the £200 rent. When they moved in, his priority was arranging his basement office.6 When he got around to decorating upstairs, he did not follow the trends set by contemporaries Charles Rennie Mackintosh or Baillie Scott, but painted the dining room walls red and the floor green, colours that went with the simple 17th century English oak furniture he designed. The drawing room walls were painted black.7

After the first two children came along, Barbie and Robert, the children were confined to the nursery on the top floor; the basement was off limits. In addition to the day nursery and the night nursery, where Nannie slept with Ursula, Mary and Elisabeth, there was also a small bedroom in which three maids slept. This included a well loved nursery-maid, Annie McKerrow, who joined the family when Ursula was four or five. The cook slept in the basement. A sewing woman came three days a week and made all of children’s clothing and most of Lady Emily’s. (Ned nicknamed her Miss Sew-and-Sew).8 The family lived in this house until the 1914, when the lease ended and the house was scheduled to be demolished.9

One gathers that Ursula was a boisterous child. When she was only two and a half, Ned wrote to Emily about her nephew, Tony, being so obedient when their own children were so rude and disobedient. “[Tony] came to see me in my room and told me he could make more noise than the whole of my family. I said not more than Ursula – he said No, not more than Ursula.” Ned’s comment was “Oh dear.”10 In one of her letters Emily commented that Robert (aged seven) “looked like a guttersnipe” while eating a bacon sandwich. As a “determinedly progressive mother” she was pleased about this. “I’m glad to think that there is no trace of played-out aristocracy about Robert or indeed any of the children – Ursula the most.”11 While the wording is a bit confusing it would appear that, at the age of three anyway, Ursula’s manners did not predict she would marry into a titled family.

While there were understandable reasons for Ursula not getting along with her youngest sister, Mary, later in life, even as a small child she was jealous and scrapped with the next youngest sister, Elizabeth, a pattern that continued. One night, Betty and Ursula were watching infant Mary in her mother’s arms. Betty announced to Ursula, “That baby is mine.” Ursula’s response was to ask her mother, “Don’t you think Betty would feel much better if she didn’t talk?”12

Part of this rivalry may have been sparked by the fact that soon after Mary’s birth, their mother turned her attention away from home and family. She initially put her energy into a variety of interests, including social work and the Women’s Suffrage Movement,13 but in 1910, when Ursula was five or six, Emily’s real passion became the Theosophy Society.14

If Edwin Lutyens was absorbed by his work and Lady Emily by Theosophy, it may be of interest to consider other adults who were present during Ursula’s youth. As stated previously,15 Nannie (Alice Louisa) Sleath played an important role in the children’s lives. Once Nannie joined the Lutyens family she remained with them until her death, largely supplanting Emily as their mother. Even when Barbie was older Emily never felt she was able to get close to her eldest daughter. It was Nannie who taught the children Victorian songs,16 helped Ned pack for India when Emily was away with friends from the Theosophical Society17and who attended a speech by a Labour candidate with Emily, because she expected rowdiness. Nannie wrangled the children’s birthday £1 out of Ned: ‘Come on now, Sir, I want a pound from you for Mary’s birthday.’ ‘Not now, Nannie – later – I’m in a hurry, and it’s not her birthday yet.’ ‘ No, now, Sir – you know what you are – and we shall be away on her birthday.’ She got the £1. Nannie wasn’t in awe of Ned and Mary observed that he didn’t really like her. Mary attributed it to his being jealous because the children all adored Nannie,18 except perhaps Betty, who sounds as though she might not have liked anyone.19

As the children outgrew needing a nannie, sometime in the early 1920’s she changed her clothing to fashionable attire, wore nail polish and an engagement ring, though the engagement apparently never developed.20 Mary remarks that “Far from becoming the old family retainer she had grown very smart and looked years younger.”21 After the children were grown Nannie was only really happy when she went to look after Barbie’s children, while their own nannie was on holiday. In 1935, with the birth of Mary’s first child, she found the perfect nannie for Mary, one who like her ‘never wanted a day off.’ Nannie Sleath died age the age 65 from liver cancer. She was nursed for months by Emily and a nurse. Alice Louisa Sleath was buried in the churchyard at Knebworth.22

1 England, General Register Office, PDF copy of an entry of birth, for Ursula Lutyens, born 31 Oct. and registered 6 Dec. 1904; a copy of an entry in the certified copy of a register of births in the registration district of St. Giles, County of London, Vol. 01B, p 579.

2 London Metropolitan Archives; London, England, UK; London Church of England Parish Registers, accessed on Ancestry.com. London, England, Church of England Births and Baptisms, 1813-1924 [database on-line]. Lehi, UT, USA: Ancestry.com Operations, Inc., 2010. https://www.ancestry.com/search/collections/1558/records/14775939?tid=&pid=&queryId=7e267ac1-a648-4529-a2b0-3cd33a4a2777&_phsrc=UmY615&_phstart=successSource accessed 19 Mar 2025.

3 Ridley, Jane. The Architect and His Wife – A Life of Edwin Lutyens (London, Chatto & Windus, 2002) p 159.

4 Lutyens, Mary, Edwin Lutyens by his daughter (London: John Murray, 1985), p 148.

5 Lutyens, p 61.

6 Ridley, Jane. The Architect and His Wife – A Life of Edwin Lutyens (London, Chatto & Windus, 2002) , p 121-2.

7 Ridley, p 137.  

8 Lutyens, p 61-2.

9 Lutyens p 128.

10  Percy, p 138.

11 Ridley, p 169.

12 Ridley, p 179.

13 Lutyens, p 87.

14 Lutyens, p 89.

15 https://northumberlandarchives.com/2024/09/03/lady-ursula-lutyens-ridley-1904-1967/. Accessed 19 Mar 2025.

16 Lutyens, p 205.

17 Ridley, p 212.

18 Lutyens, p 71.

19 Ridley, p 243.

20 Ridley, p 322-3.

21 Lutyens, p 223.

22 Lutyens, p 267.