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BERWICK NEWSPAPERS, 1923

BERWICK JOURNAL, 16TH AUGUST, 1923

Saturday, July 21, 1923 – (Tweedmouth Feast Eve) – was “Red Letter Day” for Natives of Berwick-upon-Tweed and District, who reside in Toronto and surrounding neighbourhood of this great Canadian City. It was First Celebration of the “Feast” ever held in British Colonies, and, indeed, in British Isles, except in City of Leeds, where, some years ago, on the initiative of a well known and noted Native of Berwick (Mr J. W. Miller, Chief Overseer of “Yorkshire Post”) Borderers in Yorkshire celebrated the Feast by a successful dinner.

Right well did Borderers in Canada celebrate the feast, on the initiative of Mr Wm Hogg, loyal native of Berwick, and an Ex Capt. of Berwick Cycling Club. Permission having granted from the Civic Authorities of Toronto to hold Tweedmouth feast Picnic at High Park, arrangements were at once made to communicate with local Borderers. Many copies of “Berwick Journal” crossed the Atlantic with a certain letter heavily marked. It was not long before the active and energetic organisers were getting calls on the telephone for all particulars. Mr W. Hogg, er., Mr R. Swan, and Mr Thos. Hogg (late of Ness Street, Berwick), formed themselves into a Committee and things started to hum.

The weather was delightful in Toronto on Tweedmouth Feast Eve, and as it went past a certain section of High Park a huge banner, with Berwick Coat-of-Arms attracted considerable attention. Underneath Berwick Coat-of-Arms was a 2nd banner, on which were wonderful words- “Berwick-on-Tweed District First Annual Picnic; Feast sat., July 21.” (Full article available on request at Berwick Record Office).

BERWICK VISITORS

On visit to Berwick, his Native Town, is Mr Somerville Steven, Schoolmaster, London, son of Mr Wm. Steven, cabinetmaker, Berwick, Mr Steven, who at one time was a Teacher in Berwick Boys’ National School, has been many years in the South, and has done fine work as a Schoolmaster.

We welcome Major Stammas, R. A., Woolwich, on a visit to his Native Town of Berwick. With Mrs Stammas the gallant Officer is staying at Roxburghe Hotel, Spittal. He is son of a distinguished Crimean and Mutiny Veteran, the late Sergt. Major Stammas, R. A., who was so long one of permanent Staff of Berwick Militia in Col. Reed’s day. Major Stammas, who began his soldiering in Berwick Militia, afterwards transferring to R.H.A., has very fine Army record, of which any man may be proud. We wish Major and Mrs Stammas happy time on the Homeland.

Pleased to see on a visit to Berwick this week Mr J. Ganson and his son John. Mr Ganson was Volunteer Instructor at Chirnside from 1905 until Dec. 1908. On leaving Chirnside he was posted to recruiting staff in England. On outbreak of War in 1914 he joined up and served at Berwick Depot from 1914 until 1919, holding the rank of Quarter-Master-sergeant. From Berwick he proceeded to Edinburgh with Major Parkinson on recruiting work, and when Major Parkinson returned to Berwick, he was transferred to Perth, where he now is. His son John attended Berwick Grammar School while his father was stationed at Berwick Depot.

MISS FELICITY ASKEW’S EXHIBITION AT BERWICK

The Exhibition of Drawings and Paintings by Miss Felicity Askew, now on view in Side Room, Corn Exchange, Berwick, is full of interest to lovers of Art. Although the display is small there is enough to show the all-round ability of the Artist. The first impression is that all the drawings are the work of one who is a lover of animals – especially of horses; and if the maxim holds good that we do best that which  we love most, then we see the secret of Miss Askew’s success. Most of the subjects depict horses: some are portraits – many are clever drawings of them in motion – some are introduced into her landscapes with much ability and nice feeling. One is rather impressed by her compositions showing race and other horses in motion – particularly such drawings as “The last Furlong, “Across the Flat,” “Ploughing on the Borders,” and Ceaserwitch, 1921,” which are excellent. The Artist shows in all her work a goof knowledge of anatomy, a fine sense of proportion, and workmanlike style in execution of each picture.

Image of Corn Exchange, Berwick-upon-Tweed.

We believe Miss Askew’s Art Education was obtained in one or 2 of the Chief Art Centres on the continent, and this is evident in the greater part of the work exhibited. We notice several portrait studies of hunters and other horses. One or two of these are very good, particularly the drawing of “Bute,” the cart horse, executed in direct and easy style; and I is excellent.

Miss Askew is also represented in “Modelling, such as a good bas-relief of a mare’s head; also 2 statutes in bronze of horses, which show the same knowledge and workmanlike style in execution.

There are also some very good studies of dogs, effectively drawn and strong in character, particularly those depicting bull dogs.

The weak part of the display is the lack of colour. Most of the work is etched by the pen, and in some cases slightly tinted, and where backgrounds are washed in show a lack of softness in blending the colours. There are clever etchings of Scotsgate, Berwick, and Berwick Old Bridge, but one perspective drawing of Royal Border Bridge is far astray in proportion. There is a nice pleasing figure study of a lady seated on the elbow of a chair.

Berwick upon Tweed, Old Bridge

The Exhibition is well worth a visit, and we congratulate Miss Askew on her display. It gives us great pleasure to look forward to any further success this talented young lady may attain to in the future.

“Berwickshire News” of this week says-

Exhibition and Sale of Drawings, Paintings and Models, ( work of Miss felicity Askew, niece of County-Ald. David Askew, J.P., of Castle-hills, Berwick), is one in Side-room, Berwick Corn Exchange, and is being visited by many people. There is much to admire in this young lady’s artistic efforts. Castle hills farm prize horse at Berwick Fair Show and procession takes the eye, as does also Binns Mansion, the Home of Sir Jas. and Lady Wilkie Dalyell, formerly of Foulden, Berwick, uncle and aunt of Miss Askew, and whose daughter ( Miss Dalywell) assisted her cousin at the Exhibition. Then there are notable local “bits.” Quite a novel and original study is that of 2 or 3 arches of Royal Border Bridge, at Berwick end: this is a piece of excellent work which provides subject for development.

The sixth annual North Northumberland Tennis Tournament, held under the auspices of Berwick Lawn Tennis Club, opened at Berwick in fine weather and before a good attendance of spectators. Notwithstanding the heavy rain overnight, the courts were in good condition. Though the individual entries are half a dozen short compared with last year, the total number of matches is 593, and increase of 33. There are eleven grass courts available.

MARRIED IN CENTRE OF TWEED

We reproduce certificate of marriage of Jan. 3 1820, which is in possession of Mrs Hartley, 5 West End, Tweedmouth.

(Copy Certificate)

Married January the 3rd, one thousand and eight hundred and twenty.

Married in the centre of the River Tweed opposite Paxton House in a boat fronting the Borders.

This is to certify that John Allan of Tweedmouth, in the Parish of Tweedmouth, in the County of Durham, and Mary Turner of Horncliffe, in the Parish of Norham, in the County of Durham, were this day lawfully married together by me John Forster, before these witnesses as below. Witness John Forster. Witness John Allan. I the aforesaid John Allan and Mary Turner have allowed the above marriage at the aforesaid place the River Tweed opposite Paxton House. Given under my hand. John Allan. Mary Turner.

Putting the project to bed – what the Stannington Sanatorium project has achieved

Over the course of the two phases of our Wellcome Trust funded project we have catalogued, conserved and digitised over 5000 patient medical files, as well as other records and photographs. In this time we hope we have taken an inaccessible, uncatalogued collection and made it accessible to study. In our final blog we will take a look back at what we have done in that time.

Some of the boxes of files waiting to be conserved early last year

Phase one conserved and digitised 949 discharge books, catalogued these, the patient files and the rest of the collection, and digitised a whopping 14671 radiographs (taken of only 2245 of the patients!). The team also created our online exhibition, our exhibition banners, and attended conferences to publicise the collection. You can read more about the first phase in the team’s final blog here.

The radiographs being digitised

After the Wellcome trust kindly granted more funding for a second phase new team focused on the 4095 patient files, which had been catalogued.

A patient file conserved in its new acid-free cover
A patient file ready to be digitised

We conserved and digitised these, and redacted images were attached to our searchable online database. As they are closed records the names and addresses cannot be released, but this enables those researching the disease to access medical information about the cases for the ‘core’ documents. Here is how these look.

Print screens of the search and reference detail

As we could not digitise the entire files in each case the team decided to upload some examples on Flickr. Though there is no such thing as a ‘typical’ or ‘average’ Stannington file, we tried to choose a few redacted examples of the patient files that gave an impression of the collection as a whole, and the type of documents found within them. You can view these here.

The work began in phase one to raise awareness of the collection has continued. We have continued to blog about our progress and discoveries we have made about the collection, the sanatorium itself, and new collections that relate to it, such as May Brown’s the Atkin family’s photographs. There has been academic interest in research projects using the collection from a number of universities, which we hope to will continue to grow.

Our former colleague Rebecca Cessford is using the collection of radiographs and patient files in her PhD thesis to look at the potential as an aid to diagnose the disease in skeletal remains. You can find out more about her research in the blog she contributed to us on World Tuberculosis Day.

Margaret Wilkinson (right) with Dame Sian Philips at the recording of the play.

We also worked with playwright Margaret Wilkinson, who used the collection and our research to write a radio play for BBC Four’s Writing the Century. The play was based on the experiences of former Stannington Sanatorium nurse Marjorie Wilson. Margaret established the scene with Marjorie’s reminiscences, and used excerpts from letters within the patient files. The play was a great success, and listeners found the performance very moving. You can read more about Margaret’s inspiration in writing the play in the blog she wrote for us, and you can listen to the play through Audioboom.

We hope to continue further interest in the collection by launching an education resource, now available through our website. In this we have laid out a little summary of the disease, history, treatment and the records at Stannington, and what life was like for staff and patients. This can be used as a resource for teachers to dip into in developing lessons, but also for older students to use for themselves.

The exhibition on display at St. Mary’s Church, Stannington.

Recently the team have also set up our collection of banners at St Mary’s church in Stannington, with the Stannington History Group. It was a wonderful finish to the project to see them displayed so close to the sanatorium itself, with locals and visitors finding out more about the story of Stannington Sanatorium. We hope to tour the exhibition more throughout this year.

The project has revealed the rich value of the collection in terms of its research potential, as it contains files with detailed medical information and an excellent radiographic record. However it is also rich in the stories of the staff and patients who were associated with the sanatorium, many of whom have recounted their experiences to us during its course. We feel proud to continue to care for the documents, and feel it is important to continue to raise awareness. Far from this being the end of our research with the collection, this is a beginning of a new and more accessible way of learning from them.

The collection itself is housed at Northumberland Archives, and though a hundred year closure period is still in place (from the date of the document’s creation), former patients and some immediate family can still seek permission to access the patient files. If you are interested in accessing the collection for research purposes (we have statistics on the records as well as the files themselves), are interested in loaning our banners exhibition, or have any other queries about the collection please don’t hesitate to contact us at archives@northumberland.gov.uk

NRO 11036/3, one of May Brown’s photographs

If you are interested to know more please have a look at:

Our online exhibition

Our Flickr sets